The Most Ridiculous Thing You Ever Hoid (2010)
Based on the "Flywheel, Shyster and Flywheel" radio series by Nat Perrin, Arthur Sheekman, George Oppenheimer, and Tom McKnight
Friday, Oct 1st, 2010 at 1:00 pm
Saturday, Oct 2nd, 2010 at 1:00 pm
Sunday, Oct 3rd, 2010 at 8:00 pm
Wednesday, Oct 6th, 2010 at 8:00 pm
Saturday, Oct 9th, 2010 at 8:00 pm
Saturday, Oct 9th, 2010 at 11:00 pm
Tuesday, Oct 12th, 2010 at 8:00 pm
Wednesday, Oct 13th, 2010 at 1:00 pm
Who can forget Groucho, Chico and Harpo, those three mirth-makers of the silver screen? No one, that's who! But when the Marx Brothers are let loose in an unsuspecting radio studio, the airwaves will never be safe for detergent commercials again! Featuring all new songs and bursting with mayhem, it’s a laugh-filled, tune-filled, lunacy-filled extravaganza!
Approximate Runtime: 1:30
Approximate Running Time: 1:30; no intermission
ANDY SEILER (lyricist, co-writer) wrote about film and entertainment for USA TODAY for many years. He’s also written for The Home News-Tribune and The Courier News in New Jersey. He’s written songs with Jim Beckerman for 30 years. He currently lives in Washington D.C.
JIM BECKERMAN (composer, lyricist, co-writer), writes about arts and entertainment for The Record newspaper in New Jersey. He has also written for The New York Times, Film Comment, and many other publications. As a keyboardist, he’s played with such bands as The VooDudes, The Hammers, The Noisy Neighbors and Nine Below Zero; his own solo album, “Born to Boogie,” came out in 2000. He now lives in South Amboy, N.J.
FREDERICK WEMYSS (co-writer) is a short story writer and Marx Bros. fan who can often be found reading his work in and around Huntington, NY, where he works as a bookseller.
DONALD BRENNER (SSDC) directed the Off-Broadway production of Emmy Award Winner Sherman Yellen's DECEMBER FOOLS at Abingdon Theatre Company and A TALE OF TWO CITIES at the Mint Theatre Company. He directed the Lincoln Center production of ALI BABA, an original adaptation utilizing middle-eastern musicians, dance and storytelling and the world premiere of BEYOND GRAVITY by Ruth Wolff at New Jersey Repertory Company.
New York Theatre: Harold Prince's Lovemusik (Broadway), An Evening of Kurt Weill (Lincoln Center), Minnie's Boys, The Calamity of Kat Kat and Willie, Mabou Mines Dollhouse (Off-Broadway). North American Tour: Fiddler on the Roof opposite Topol, Harvey Fierstein and Theodore Bikel. Regional: Merrily We Roll Along (Helen Hayes Award), Reefer Madness! (Ovation, Garland Awards). Workshops: Jason Robert Brown’s 13, The Final Tour with Sally Field, Sundance Cabaret with Carol Burnett, The Year is 1950 helmed by Frank Galati, John Kander and Ann Reinking. Film: Falling Star, Brother, Kinetoscope.
The Fantasticks! (Long Wharf Theatre); Under Milk Wood, Threepenny Opera (Williamstown); Peter Pan & Wendy (A.R.T.); Charlotte's Web (TheatreWorks USA). Film credits include: Keeping the Faith dir. Edward Norton; Jack dir. Francis Ford Coppola. Jonathan has a BA in Theater Arts & Art History from Drew University. HONK HONK!
New York: Desert Sunrise (Theater for the New City) Tony N' Tina's Wedding (AI) Authenticating Eileen (Tin Lily). Regional: The Balkan Women (Bristol Riverside) I Hate Hamlet (Cortland Rep) Dealer's Choice (Walnut St. Theater) Arithmetickles (ArtsECHO). TV: Law & Order, One Life To Live. Founder/Producer of STuFF FiLMS sketch comedy group and member of Red Tie Mafia Improv.
Liliane Klein is delighted to join Ridiculous!Career highlights include the Bay Area Theatre Critics Circle award nomination for her portrayal of Helen the Bay Area premiere of Fat Pig as well as Elliot Norton and IRNE award nominations for the New England premiere; national tours of Titanic, the Musical and Scrooge the Musical; multiple productions off-Broadway and regionally with Musicals Tonight!, La Mama E.T.C., Imua! Theatre Company, CT Free Shakespeare, Foothills Theatre Company, and the Ivoryton Playhouse; Terry the Turtle in Kid Fitness on PBS; and the vocal tracks for Mama Rose on Stage-Stars Karaoke CD of Gypsy. Thanks to Mamama, Mommy, Daddy, Sophie, Muesli, and Matt :) www.angelfire.com/folk/lilianeklein
Credits include Wicked, Les Miserables, Sweeney Todd, How the Grinch Stole Christmas!, Baby, A Chorus Line. BFA from The Boston Conservatory.
Broadway: The Little Mermaid (Ariel u/s, Swing), Erotic Broadway (The Triad), Miss Pell is Missing (Louise Pell, Midtown theatre fest). Tours: Sweet Charity, Beauty and the Beast, My Fair Lady. Regional: Beehive (Wanda), A Wonderful Life (Violet), Cats (Rumpleteazer) and several others.
Warren Freeman makes his NYMF debut with this Ridiculous show. Favorite credits: My Fair Lady National Tour, Bye Bye Birdie at Encores!, Me and My Girl, Goodspeed; Fame, North Shore; Mame, North Carolina Theatre; A Chorus Line, Gateway.
New York: Screen Play The Flea, Higher Education of Khalid Amir MITF, Stoop On Orchard Street (& nat'l tour), Lighter musical reading, The York. One man show, Made For Each Other, Planet Connections (nominated for Outstanding Actor – Solo Show).
A veteran of New Jersey/New York Rock and Juke joints, Dave has been playing in bands including The Cucumbers, The VooDudes with Jim Beckerman and currently with Barbecue Bob and the Spareribs.
David S. Cohen, PSM, is excited to be working on this project with so many talented artists. David has worked for many companies in NYC and across the nation, such as: The Juilliard School, Chelsea Opera, Artscape, Holland America Cruise Lines, Georgia Shakespeare, FoodPlay and more. Many thanks to the cast and crew, for all their hard work during this process.
David is so thrilled to be working on his first NYMF show, and his first lighting design in New York City. He fell in love with all things Marx Brothers when he designed the set and lighting for ANOTHER original Marx Brothers musical called Its Top Secret!, which ran for six weeks in Los Angeles this summer. He is a recent transplant to NYC from Los Angeles, and studied design and production at York University in Toronto, Canada. Currently, his scenic and lighting design can be seen onstage in LA with Elevator, a new production receiving critical acclaim, and hoping to transfer to Off-Broadway next season. www.elevatortheplay.com
Neal J. Freeman is a director, producer, and writer based in Brooklyn. He serves as Executive Director of The Gallery Players where he recently directed Top of the Heap (NYMF 2007) in a production nominated for a NY Innovative Theater Award for Outstanding Musical Production. Neal is a member of the SDC and The Lincoln Center Directors Lab, and an Associate Artist with the Cornell University Department of Theatre, Film, and Dance. MFA Directing, Brooklyn College. www.moatedgrange.com
Stanley L. Ralph III: has been working in theater for the past 10 years. He has been blessed that his profession has taken him to wonderful places, such as London, Africa and China. He has studied at North Carolina A&T, UNCG and the University of Illinois. Ralph went to undergrad for Acting and graduate school for Stage Management. He hopes to soon go back to gradschool for a MFA in Directing. Ralph's career has gotten a great jump start and he hopes to continue on this path.
Track 01 - Oy-ull!
Track 02 - Mr. Flywheel Never Lost A Case-Here He Comes-Sue
Track 03 - Piano Interlude
Track 04 - My Song
Track 05 - Babes In Baghdad
Track 06 - You Are The Man For Me
Track 07 - Harp Interlude
Track 08 - Refined
Track 09 - Ravelli Takes Dictation
Track 10 - Slimy Rhythm
Review: "The Most Ridiculous Thing You Ever Hoid"
by William Wolf, Wolf Entertainment Guide, October, 2010
This has been an ongoing project and I think it deserves to be further honed into a substantial regular run that will display its creativity and reach a wider audience.
Huffington Post Review: The Most Ridiculous Thing You Ever Hoid
Excerpt from Stage Door, Huffington Post
by Fern Siegel, October 8th, 2010
Talkinentertainment.com Review: The Most Ridiculous Thing You Ever Hoid: Marx Brothers At NY Musical Theatre Festival
By Oscar E. Moore, 10/4/10
"From the moment Erik Liberman enters as Groucho you just know you are in for a good time. Mr. Liberman is the embodiment of Mr. Marx."
From Lesbian Intermarried Moms To Groucho Marx
Excerpt from The Jewish Week article by Ted Merwin, 9/28/10
"Nostalgic take on Jewish culture is on view in Beckerman and Seiler’s “The Most Ridiculous Thing You Ever Hoid.”
"Most Ridiculous Thing You Ever Hoid" Heads For Theater Fest
Kelly-Jane Cotter, ADBURY PARK PRESS, Sept. 19th, 2010
"Hoid" is giddy and boisterous, gilded with zany humor.
Not So Ridiculous At All
Willyoumissme.wordpress.com by Steven P. Marsh, June 5th, 2009.
The Most Ridiculous Thing You Ever Hoid probably isn't. But it may well be one of the most entertaining things you ever hoid.
Local Noise: Jim Beckerman And The Most Ridiculous Thing You Ever Hoid
Aquarian Weekly
by Hal B. Selzer, September 25, 2009
“It went very well. A sellout audience, literally no seats left, for all the performances,” exclaims Jim Beckerman, co-writer of the script and composer of the music for the new show, The Most Ridiculous Thing You Ever Hoid. “The audiences seemed to be really into it. The tap dancing cleaning ladies, don’t ask, stopped the show every night!”







